Jonathan Willis
Merry Christmas everybody! By now, the last scraps of turkey have hopefully been consumed, the last of the wrapping paper been thrown away. You might have decided to hit the sales; you might even be back at work; and you may also have asked yourself one or more of the following questions: ‘what shall we doe in the long winter nights: how shall we passe away the time on Sundayes, what wold you have us doe in the Christmas Hollydayes’? No need to risk a family feud by dusting off the monopoly board just yet, because John Rhodes, the Jacobethan ‘minister of Enborne’ (Berkshire) anticipated just such a need amongst ‘the Schollers of pettie Schooles’ and ‘the poore Countrieman and his familie’.[1]
Rhodes’ solution for chasing away the winter blues, and passing the long winter evenings, was simple: sing! Rhodes dedicated his book for such as ‘are naturally given to sing’, so that they might ‘please their merrie minds a little’, and that by winning them ‘to sing good things’ they might ‘forsake evill’. Early modern carols were primarily a popular tradition, and Rhodes’ efforts might be mistrusted on two fronts. Firstly, his aim was clearly a moralising one, recalling the original purpose of metrical psalms, to supplant vain, bawdy or worldly songs with more godly fare. Secondly, pastiches of pastoral or country songs were a moderately popular genre, and examples of ‘countrie’ carols were often affected rather than genuine. In 1611, the enterprising composer Thomas Ravenscroft attempted to cover all his bases in Melismata Musicall phansies, by including a blend of tunes, striving to please ‘the noblest of the court, liberallest of the country, and freest of the city’ in their own respective ‘elements’. Continue reading