Mark Hailwood
This is the third in a series of posts written to mark the publication of my book, Alehouses and Good Fellowship in Early Modern England, which is now available in paperback. Monster readers can take advantage of a special offer to get 25% off (getting the book for just £13.49) by using the promotion code ‘BB125’ when ordering here. Each post in this series focuses on a character that features in the book, and uses them to highlight some of my key themes and arguments.
As we saw in the previous post, the rising popularity of alehouses and good fellowship in seventeenth-century England met with considerable opposition from Church and State. But concerns over developments in England’s drinking culture did not just emanate from hostile ruling elites—from the ‘top down’—they were also voiced within popular culture. This can be seen most clearly in contemporary anxieties that ‘good fellowship’ spawned ‘wastrel husbands’. One such example is the central character of this post: John Jarret.
Jarret, like Roaring Dick of Dover, is the central character of a broadside ballad, and whilst both men are keen partakers of alehouse good fellowship, John Jarret’s drinking is portrayed in rather more problematic terms than Roaring Dick’s. Rather than being a celebration of good fellowship, the ballad featuring Jarret—narrated by his long suffering wife—is a warning about its dire consequences.[1] Continue reading