Tag Archives: the craft

A new life for ‘British Printed Images to 1700’

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Laura Sangha

This post introduces our new mini-series Visual Culture in early modern England. Guest posts in the mini-series will be published over the course of the next month – we will add links to this page as the post are published. The series celebrates the re-launch of the vital online primary source collection ‘British Printed Images to 1700’. It hopes to encourage use of the BPI archive and to promote conversation about the deployment of visual sources in the study of the past more broadly.

Adam Morton, Printed Images, Laughter and Early Modern History

Helen Pierce, Building Your Own Book: Printed Images, Producers and Buyers in early modern London

Malcolm Jones, Cut, copy, paste: What People Did with Early Modern Images

Adam Morton, Teaching with Early Modern Sources

Something to remember, or more likely forget

In the distant past, time out of memory of man, when I was writing an essay as part of my Postgraduate Certificate in Academic Practice (teaching training), I spent a week reading lots of articles about teaching and learning History. I remember very little about that immersion in the scholarship, but strangely the one article that stuck around in my mind was a study examining what students remembered about a lecture after they had heard it. The article described an experiment where students were asked to complete a questionnaire about the content of a lecture immediately after they walked out of it, and then they were asked to complete the same questionnaire again, after two weeks had passed.

The exact details of the results escape me, but the headlines were relatively pessimistic – students remembered little content, however basic, immediately after a lecture, and this diminished to almost nothing two weeks later. The one exception was that many of them could remember some of the images they had seen in the lecture, and in some cases, why they were shown – i.e. the idea that the lecturer was communicating by showing the image. Ergo: image memory is often superior to word memory.

Theories of cognition come to similar conclusions. According to Allan Paivio’s Dual Code Theory, images elicit words (verbal labels) so that they are stored in the memory twice. By contrast words do not automatically elicit images, a relatively impoverished memory representation that may make the retrieval of words less probable. Though more recent scholarship has nuanced these findings and would allow more scope for varying results according to different learning styles, on average many people retain more from images than they do from texts.

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Reflecting on Habib’s Black Lives in the English Archives: An Online Symposium

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trumpeters-cropped

The many-headed monster is delighted to bring you a series of posts responding to Imtiaz Habib’s Black Lives in the English Archives, 1500-1677: Imprints of the Invisible (Ashgate: 2008, Routledge: 2020). The posts are part of Rebecca Adusei and Jamie Gemmell’s multi-event symposium, which brings together scholars working at the forefront of early modern Black history and premodern race studies to discuss the vital importance and continuing legacy of Habib’s text.

Rebecca and Jamie will introduce the blog series on Thursday 4 May, and we will then publish two posts a week over the following month – links to all the posts will be added to this page as we go, so you can bookmark it now if you want to follow along.

Rebecca and Jamie celebrated the publication of the blog series on Friday 19 May, at the London Metropolitan Archives, to tie in with their ‘Unforgotten Lives’ exhibition. This exhibition presents the stories of Londoners of African, Caribbean, Asian and Indigenous heritage who lived and worked in the city between 1560 and 1860 and are recorded in London’s archives.

The Suspicious Smell of Witchcraft

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This post is part of the Monster Carnival 2022: Why Early Modern History Matters Now. Jordan Graham graduated from Cardiff University with a BA in History in the summer of 2022.

Jordan Graham

Over the last few years it is likely that you or someone you know has had Covid-19. One of the common side of effects has been loss of taste or smell, so much so that often when someone tells you they had Covid it may be one of the questions you ask. Could you smell anything? Could you taste anything? While the thought of not being able to taste your food is dreadful, how often have we really thought about how our sense of smell affects our daily lives? How did smell affect those who lived before us? How did smell help people decide between what was good or bad? The early modern witch offers an unexpected case study.

Throughout history the sense of smell has been viewed as nothing more than average. Even Aristotle put it in the middle of his hierarchy of the senses, behind sight, and hearing, but before taste and touch. When we think of the early modern witch we similarly often privilege how she looked or sounded. But smell mattered too. Early modern medical texts, plays, demonological texts and trial records all show that the witch’s foul-smelling qualities permeated society. This influenced early modern individuals to suspect and accuse others of witchcraft based merely on their personal odour.

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Blogging and the Day Job: Tales from the Blarchive

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Jonathan Willis

In a series of recent posts marking the tenth anniversary of the many-headed monster, my co-bloggers have reflected on a number of themes. Mark has discussed the transition of the blog from what seemed (at the time at least) to be a series of topical yet ephemeral interventions into something more permanent: a blog archive or ‘blarchive’ if you will. I fear the term probably won’t enter the running for OED word of the year, and if I’m being completely honest it puts me in mind of early 1990s children’s TV presenter Timmy Mallett (if you were a UK child born in the ‘80s you’ll know what I mean, if not, don’t worry about it!). Laura then highlighted a series of posts relating to the recurring theme of the relationship between historical writing and fiction, and Brodie explored how another prominent series of posts reflect the turbulent history of the historical discipline itself in UKHE and beyond over the past decade.

Parochial – geddit??

This post feels a little more ‘parochial’ (good reformation pun, that) in comparison, because looking back at my contributions to the blog has really given me pause to reflect on what blogging has meant to me at different stages of my career over the past ten years. So in some way this is quite a personal – really rather self-indulgent – set of autobiographical musings, but I hope it is also an interesting dive back into older content on the ‘monster, as well as a potentially useful series of thoughts about what the process of blogging can look like at different times and in different contexts.

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Jobbing Historians: Tales from the Blarchive

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Brodie Waddell

The world of UK universities has changed dramatically in the ten years since our first post appeared on the Many-Headed Monster, and it feels like the pace of change has recently accelerated.

So, while my co-bloggers are looking back at hangovers, Marxists, plebs and creative histories, I want to indulge in a bit of navel gazing. How has the role of the historian as a job been changing over the last decade? Much of my evidence comes from a sample size of one, but I think the sorts of things we’ve been talking about on the blog over the years give some sense of the wider climate.

I vividly remember my own circumstances in July 2012, when we started the blog, because it was a moment of personal chaos but also optimism. I was finishing up a postdoc and had recently been offered a three-year lectureship at Birkbeck, while at the same time trying to juggle the demands of a new baby. I have no idea why I thought it would be a good time to launch a new project, but I’m glad I did. Meanwhile, things were less chaotic but also less optimistic at the national level. The UK was in the midst of the Cameron-Clegg coalition government, and it was pretty clear that universities were generally going in the wrong direction, most obviously with annual tuition fees rising from £3,000 to £9,000 that very year.

What is intriguing, however, is that there is almost no evidence of this on the Many-Headed Monster. Posts from our first few years touched on lots of different historical topics, but very little on the job itself. That said, Laura’s reflections on conferences as ‘communitas’ and my complaints about boring exam questions are probably a fair reflection of the sort of day-to-day concerns of new lecturers, then and now, even if we somehow avoided mentioning the fact that we were then all currently or recently precariously employed. The closest we came to dealing with our jobs directly was ‘The Future of History from Below’ symposium in 2013, which included reflections on who we were writing for and why, an issue that we would now probably call ‘public history’, but which was barely discussed in academic circles just ten years ago. A couple years later, Laura set out her thinking on ‘What is history for?’ which again highlighted how we were increasingly questioning the purpose of our discipline in the wider world.

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Creativity and history: tales from the blarchive

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Laura Sangha

This summer we are marking the ten-year anniversary of the many-headed monster blog with a collection of posts that highlight older material in our blog archive (or our ‘blarchive’, as Mark has christened it, to the great and growing pain of the other monster heads).

In my piece I want to pull at a thread that has run through our output over the years, that is, posts that sit on the fence between history and fiction.

Are you a fan of analogies, however laboured? Read on!

Of course, there isn’t really a fence betweenthese two spaces. Or at least, if there is, it was only erected recently, and in fact it’s pretty shoddy work, full of gaps and holes, plus one part of it blew down in a winter storm a few years back, while another is so deeply lost in the undergrowth it’s no longer effective, or even particularly visible. But anyway, let’s not get lost in the encroaching greenery trying to pinpoint the boundary, but rather, let’s consider the fruitful relationship between history and fiction by revisiting some of our related content.

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the many-headed monster is 10: looking back

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When Brodie and Mark quietly announced the birth of the many-headed monster to the world in July 2012, little did they know how big their baby would grow or just how many readers and contributors the behemoth would ensnare. But it’s been quite a ride.

four photos of the monster heads when they were young
monster heads when they were young

It’s possibly obvious to our readers, but we have never had a strict editorial line, preferring the blog to develop organically and to lead us in whatever direction seems promising. We share a consensus that we want to reach broader audiences than journal articles and academic monographs can, and that the types of history that we discuss, the format, and particularly the tone of our writing is intended to be accessible and engaging for non-specialists, but beyond that, there aren’t really any rules. Indeed, until we four co-authors met late in 2021 to discuss how to mark our ten year anniversary we’d never had an editorial meeting, rather we very satisfactorily conducted matters via email, or a scatter of shared google docs for when we were feeling fancy.

This informal approach is perhaps one of our great strengths. For one thing, it keeps editorial and administrative duties to the barest minimum. Just as importantly, it has allowed us to develop ways of publishing content online that retains the quick blog post format, but which expand and adapt it for different purposes. At its simplest, this might mean breaking a longer post into more easily digestible chunks and posting each chunk individually across a week or a fortnight, as Mark did with his posts on the application of theory to the history of food and drink.

More distinctively, our ‘Monster Mini-Series’ quickly became a feature of our output. These are both finite and current/long-running collections of posts focused around a particular theme or topic. Laura’s posts on the history of the Tudor Southwest is an example of the former, and our co-authored series ‘On Periodisation’ of the latter.  

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Paper Trails CfP: ‘Hidden Voices’

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Laura Sangha

You may know that last year saw the triumphant release of the first cluster of publications for Paper Trails: The Social Life of Archives and Collections. Paper Trails is a BOOC (Book as Open Online Content) published by UCL Press: a fully open access platform that allows for multi-form contributions across time. The BOOC offers space for contributions both from practitioners who study the past, as well as those who make the study of the past possible. So if you are an educator, librarian, historian, curator, collections manager, archivist or just someone interested in critical histories as well as reflections on practice, sources and materials – read on!

Paper Trails image

I am privileged to sit on the editorial board of the BOOC and in our most recent meeting we had a noteworthy discussion about how to describe the innovative format to others. One of the things we worried at was the extent to which we wanted people to think of Paper Trails as being a bit like an online journal – so for instance, when we add our second, new cluster of publications, we could call this a new ‘volume’ or a new ‘issue’ of the BOOC, and allocate numbers to different articles accordingly. By making an association with such a well-established format we could familiarise the BOOC concept, and I suppose the comparison could in some way lend it more academic ‘legitimacy’. Continue reading →

Decolonising and Black British History: a teaching resource

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Laura Sangha

If you are thinking about decolonising your history module this year, this seminar plan [pdf] might be of use to you. It’s based around ‘Black Lives in Early Modern England’, but with minor tweaking of the reading and primary sources it could be adapted for most modules, whether pre-modern or modern.

John Blanke (detail from 1511 Westminster Tournament Roll).

The seminar aims to introduce students to some key concepts whilst also encouraging them to think about methodology and historiography. It combines synchronous and asynchronous activities, and is equivalent to four hours of synchronous seminar time (it’s designed for my Special Subject which in non-pandemic years is taught by means of 2 x 2 hour seminars a week).

In this post, I want to share some of my recent experiences which provide some context to where the seminar emerged from.

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The digital delegate: attending an international online conference

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We are delighted to welcome our next guest blogger for our #SchOnline series (scholarly conversations online). Here Jennifer Farrell (@dr_j_farrell) reflects on her experience as a delegate of an online conference.

Jennifer Farrell

Last week saw the return of the International Medieval Congress (IMC) at the University of Leeds. This annual conference attracts thousands of medievalists from all over the world, eager to network with one another, to road-test their research, and to enjoy hearing about the work being done by others in their field. I have attended the IMC numerous times in the past, both as a delegate and as a speaker, but the major difference this year was that I did so from the comfort of my own living room!

Bingo Card

Sadly moving a conference online will still not stop you spending too much time at the book stalls.

The Covid pandemic has impacted researchers in various ways, but one of the major changes we are seeing is the willingness and indeed tenacity of conference organisers to find ways of facilitating networking and the sharing of research via online platforms. The sheer scale of the IMC means that its move to a virtual conference was nothing short of heroic.  This year the virtual IMC supported the delivery of c.530 research papers, attended by c.3,200 delegates from across 60 countries. The organisers, moderators, panellists, and facilitators deserve to be commended for this.

Speaking purely from the perspective of a delegate, with no need to worry about my paper being interrupted by poor internet connection, bad sound, disruption from trolls, or just the generally odd sensation of talking about your research to a computer screen, my own experiences of the vIMC were very positive. Of course, a virtual environment is by no means the same as experiencing the conference in person, but that is not necessarily a bad thing.  Like many of the changes that have occurred to our working conditions on account of Covid, there are good and bad sides. Continue reading →