‘For yee lead your liues in great ignorance’: Puritan Ponderings on the Patchwork of Popular Belief

Jonathan Willis

What exactly did people believe in post-reformation England?  That deceptively simple question really goes to the heart of much of the ‘post-revisionist’ scholarship currently being generated by historians of the English reformation.  Whether the object of study is angels, the landscape, music or death, one underlying questions remains the same: what does this thing, this practice, this shred of belief tell us about the broader tapestry of post-reformation religious identity?  Tapestry is a reasonable metaphor – I’m going to refrain on this occasion from extending it too far, and talking about warps and wefts – but patchwork 3388735664_a77e48d15a_zis a better one, the term coined by Tessa Watt in her brilliant book Cheap Print and Popular Piety.[1]  Once or twice when teaching this I have actually taken to drawing an imaginary ‘patchwork’ on the whiteboard.  So what do we call the hypothetical individual, who believes he will be justified by faith but also thinks that if he doesn’t confess his sins he could be condemned to hell for them?  What about his wife, who sings metrical psalms and hates the pope but believes God to be physically present in the consecrated host?  And however we define such individuals, can we also reasonably group them together?  It is possible to recognise their difference, and at the same time claim they are one and the same?

So tapestry is OK, patchwork is better: palimpsest works pretty well too.  Tangentially, I wonder why so much of the metaphorical language we use to describe identity formation (there’s another one) is rooted in the everyday materiality of art and craft.  Our ability to label individual belief in the past seems inversely proportional to the amount we know about it.  I suppose that is a fairly natural state of affairs.  Complexity breeds complexity, and moulds certainty into uncertainty.  But the job of the historian is (I think) not just to (re-)present the past, but also in some sense to try to make sense of it.  So, for AG Dickens the majority of people in Elizabethan England were recognisable as Protestants; for Eamon Duffy they were perhaps traumatised Catholics; for Christopher Haigh, stiff-necked Parish Anglicans; for Judith Maltby, committed Prayer-Book Protestants; for Watt, their culture was ‘distinctively post-Reformation, but not thoroughly Protestant’; while for Robert Delumeau, the people of early modern Europe were probably not even thoroughly Christian.

I was reminded of the value of taking a step back from all of this the other day, while reading a treatise by William Perkins that I had never looked at in detail before.  Perkins,Picture1 probably most famous as the author of A Golden Chaine, and more famous still for the infamous diagram of salvation contained within it, was a prolific writer of theological and devotional tracts: the work in question is his The foundation of Christian religion gathered into sixe principles.[2]  The work begins with an address ‘to all ignorant people that desire to be instructed’, followed by a list of almost 30 erroneous ‘common opinions’ which Perkins goes on, throughout the text, to correct.  Reproducing this list in its entirety would be a little excessive, but let me pick and talk about a dozen or so points which seem to me to be particularly pertinent to the present discussion:

1 That faith is a mans good meaning & his good seruing of God.

3 That yee haue beleeued in Christ euer since you could remember.

11 That it is an easier thing to please God than to please our neighbour.

12 That yee can keepe the Commandements, as well as God will giue you leaue.

Taken together, these points seem to express a frustration at the laity’s lack of intellectual engagement with the concept of faith.  That is not to say that their faith was not complex, but it was certainly not structured in the reflective, self-conscious way demanded by men such as Perkins.  Ironically, it seems that Puritan divines would have preferred a little less fiducia and a little more credentia from the laity: a faith based less in instinct, trust and emotion, and rather more in knowledge and intellectual acceptance.  The most difficult (and therefore the most important) aspect of religion from the laity’s perspective was in striving to live according to the principles of Christian charity: God, in whom they had faith from their earliest years, was a comforting constant.  And yet many of the laity had a strong sense that it was ultimately possible to be good and to do good things, and that such behaviour was pleasing to God.  Elsewhere, Perkins also complained about those who felt that by reciting the Decalogue they were praying, and serving God.

7 That, if anie be strangely visited, hee is either taken with a Planet, or bewitched.

This I think is a useful reminder that popular belief was not straightforwardly Christian: it contained a mixture of folklorish, traditional, pagan and other elements.  In this sense it was a true patchwork.

13 That it is the safest, to doo in Religion as most doo.

14 That merry ballads & bookes, as Scoggin, Beuis of Southampton, &c. are good to driue away time, & to remoue hart quames.

20 That drinking and bezeling in the alehouse or tauerne is good fellowship, & shews a good kinde nature.

Popular religion in the broadest sense was above all a communal activity, not an individual or even a family or household one.  The reformation did not fundamentally change this, except perhaps amongst those who were the most literate in the new religious language.  Even then, perhaps all it did was change the nature of the society with which those individuals of advanced faith sought to surround themselves.  Good religion was to be expressed in good fellowship and good cheer, as much in the alehouse as in the church, as much with a lusty ballad as a reverent Psalm.  ‘Hart quames’ for most people were to be banished with a merry ballad, not meditated upon as a means to repentance and the enrichment of a saving faith.

9 That a Preacher is a good man no longer than he is in the pulpet. They thinke all like themselues.

 18 That yee know al the Preacher can tell you: For he can say nothing, but that euery man is a sinner, that we must loue our neighbours as our selues, that euery man must bee saued by Christ: and all this ye can tell as well as he.

 17 That a man which commeth at no Sermons, may as welbeleeue, as he which heares all the sermons in the world.

 16 That a man neede not heare so many Sermons, except he could follow them better.

28 That a man need not haue any knowledg of religion, because he is not book learnd.

Finally, from the perspective of both the clergy and majority of the laity, a wide gulf existed between the two.  The reformation certainly contributed to a widespread anti-clericalism, that is to say, an opposition to the clerical pretensions of the new godly graduate clergy.  Complicated sermons were for educated people: the unlearned had nothing to gain thereby, because they already grasped the essentials of the faith: that all men were sinners, must be saved by Christ, and had an obligation to be charitable to their neighbours.  This was all well and good as far as it went, but of course for Perkins and others there were nuances, complexities, caveats and implications without which these broad truisms were worse than meaningless.  Such intellectual religion was unpopular in all senses: it was not for the great mass of people, who could profit more from each other’s good fellowship than a lengthy diatribe from the pulpit.

FoundationThe thing I’d like to draw from all this is that occasionally it is possible to lose sight of the wood for the trees.  While it can be extremely interesting to interrogate popular belief in minute theological and intellectual detail, it is not always the most productive path to follow (there are of course many, many exceptions).  For, by doing so, we can end up unwittingly forcing a resolutely anti-intellectual form of belief into a (for want of a better word) Perkinsian framework, and thereby doing it some violence, and just a little injustice.  We must remember that popular belief was both simple and complex, both patchwork and quilt.  It may be made up of innumerable diverse fragments, but it also had simple key priorities and a clearly defined basic form.  Each quilt may be unique, but quilts are also recognisably the same: a quilt is a quilt, and not a cushion cover, or a wall-hanging.  Identity is full of contradictions, but not all contradictions have to be resolved.  We each of us probably live with a series of competing and contradictory impulses and beliefs held in a kind of creative tension with one another, and the people of early modern England were probably no different.

 


[1] (Cambridge: CUP, 1991), p. 327.

[2] And it is to bee learned of ignorant people, that they may be fit to hear sermons with profit, and to receiue the Lords Supper with comfort (1591), STC2: 19710.

‘More acute and witty in his drink than at other times’…

Mark Hailwood

When Thomas Feilder was hauled before the Reading authorities in 1624, on a charge of beating up a town constable, he offered a straightforward explanation for his actions: ‘drink was the cause’, ‘he was not himself’, and ‘he knew not what he did’. But what did early modern English courts make of such claims? Was drunkenness understood to mitigate responsibility for the offence, or did such reckless inebriation compound the transgression into a double misdemeanour of assault and drunkenness?

Drinking Woodcut

This is just one of the questions I address in my latest article (that’s right, that opening vignette was just a snare to trap you into a self-promotional post). In the essay I ask – and attempt to answer, of course – a number of questions about seventeenth-century understandings of the effects of alcohol on mind and body. Did they share our concern about alcohol’s harmful impact on health, or was it considered ‘far better than any doctor in town’ for treating ailments? Was it used as an anaesthetic to numb the senses against the hardships of daily life, or did contemporaries guzzle booze because it was thought to ‘enrich all the faculties’ and act as a stimulant to mental activity? I’m dropping some clues here (let’s just say I’m not making those quotes up) but if you want to find out the full story then you should check out my ‘”It puts good reason into brains”: Popular Understandings of the Effects of Alcohol in Seventeenth-Century England’.

Cover thumbnailIt appears in a special edition of the journal Brewery History, edited by myself and Leicester lecturer Debbie Toner, under the banner of our Warwick Drinking Studies Network. It showcases the work of a number of early career scholars, and all the essays focus on aspects of early modern drinking culture, including the revolutionary introduction of hops to the brewing process (considered by some to mark the very origins of commercial capitalism. Well,WDSN Logo by me anyway); the important role played by the alewife in serving up the country’s favourite tipples; and the symbolic significance of being allowed to use the best silver at a guild feast. You can download the introduction for free here, and from here you can order a copy of the edition for the very reasonable price of £4.50.[1]


[1] An earlier draft of my article can be found on my academia.edu page, but please don’t cite from it.

Fantastic Thoresby – Part II: methinks I hear his very voice

Laura SanghaRalph Thoresby

A few posts ago I briefly introduced Ralph Thoresby, the Leeds antiquarian and diarist whose intellectual and religious pursuits have caught my attention. My intention is to make this a regular series where I offer up some little gems from the Thoresby diary, but in these initial posts I want to provide a bit of background for the entries and the reasons why they exist in the first place.

Previously I pondered in general terms why people keep diaries, and what sorts of information you might include in them, here I want to explore Thoresby’s inspiration in more depth. Continue reading

A miscellany: wandering woodcuts, Greifswald glosses, digital Defoes and Thompson tributes

Brodie Waddell

Several things have come to my attention over the last few weeks that deserve wider attention. Although I don’t have time to provide much commentary, I think our readers will find some of them of interest.

The first concerns the wonderfully rough images that so frequently appear in our posts: broadside ballad woodcuts. The Bodleian Library recently announced the launch of an image-matching tool that will allow researchers to easily search for the many versions of a specific image across the library’s whole collection of ballad sheets. Eleanor Shevlin discusses the new tool in more detail over at EMOB. In light of Mark’s posts on early modern representations of working people, it would be fascinating to know how particular ‘occupational’ images are reused and recycled in different contexts and perhaps given quite different meanings.

The second is Beat Kümin’s historical travelogue, Greifswald Glosses, exploring the largely autonomous parish communities in early modern Northern Germany. As a professor at Warwick, Beat is well-known to us here at the Monster and his blog offers a remarkable (and remarkably well-informed) look at the towns, churches, landscapes and even graffiti of this part of the former Holy Roman Empire. I think my personal favourite was the fourteenth-century gargoyle/collection-box at St Jacobi in Göttingen, but you may prefer the ruminations on low-ranked local football teams or the semi-fortified round churches of Bornholm.

The third is an amusing ‘pop history’ article in The Atlantic on Daniel Defoe’s A Journal of the Plague Year (1722). It’s a well-researched piece, based on an interview with the Defoe scholar Katherine Ellison and incorporating plenty of (anachronistic) pictures, but what makes it interesting to me it that it is written by the magazine’s tech writer. The short version of his argument is basically that Defoe was an early modern blogger and, unlike some of today’s bloggers, he approached the wealth of information provided by that era’s new technology (e.g. newspapers) with a critical eye. I’m not sure I’m actually convinced, but it’s great to see another side of early modern history (beyond Henry VIII, Shakespeare and Oliver Cromwell) receiving some thoughtful discussion in such a high profile outlet.

Finally, Katrina Navickas has a post at History and Today on E. P. Thompson’s The Making of the English Working Class (1963). There are, as she notes, a great many tributes and events happening this year to mark the fiftieth anniversary of its publication. However, what I enjoyed was hearing a little about her relationship with the materiality of the book itself, in all its tattered, dog-eared glory. I think I probably find myself reaching for Thompson’s Customs in Common (1991) more often than MEWC, yet I’m still strangely comforted to have a decent edition of the latter nearby. In her words, ‘despite my “digital humanism”, I still need those yellowed and annotated pages of the Penguin paperback to really get to the heart of Thompson’s writing’.

Shorter notices

Our very own Laura Sangha has set up a twitter feed for her students of ‘Religion, Society and Culture in Tudor England’: Tudorists rejoice! Grad students in and around London interested in early modern history really ought take a look at the talks hosted by the Birkbeck Early Modern society (and their tweets too). And lastly I belatedly wanted to thank the Birkbeck History PhD bloggers for reblogging one of our posts and recommend that all BBK doctoral students check them out.

[Update (07/02/13): Co-blogger Jonathan Willis is also tweeting (@CREMS_Bham) for Birmingham’s Centre for Reformation and Early Modern Studies.]

REED all about it III: Some musings on music and the micropolitics of Sabbath-breaking in Jacobethan Lancashire

Jonathan Willis

One sunny afternoon last July, the University of Birmingham’s Edgsbaston 295393_10151929538030109_359375196_ncampus played host to some rehearsals by the National Youth Orchestra of Great Britain.  Cellos, violas, tubas and trombones were scattered liberally throughout the Arts Building, and the history department itself played host to the trumpet section.  Hearing (fainter) strains of music in the department is not an uncommon occurrence, as there are student rehearsal rooms in other parts of the building.  This is usually quite enjoyable, even if it occasionally adds a melodramatic quality to meetings or supervisions.  Whether at work or home, we have all probably at some stage encountered some form of music which has permeated our environment uninvited.  Sometimes, as with the NYO or Birmingham’s budding undergraduate virtuosi, this can be an unexpected source of pleasure.  But in other situations, it can be distracting, disruptive, or downright offensive.  Uncleanness, the anthropologist Mary Douglas famously observed in her 1966 work on Purity and Danger, is ‘matter out of place’.[1]  In the same way, musical sound in the wrong spatial or chronological context can easily cross the rubicon of taste and order and become a provocative and clamorous noise.  If this is still true in the sound-proofed, double-glazed, cavity-wall insulated, noise-cancelling-headphone-wearing twenty-first century, then it was even truer in the sixteenth, where both welcome and rogue sounds must have travelled with much greater volume, clarity and conspicuousness. Continue reading

A civil war comic strip?

Brodie Waddell

Several months ago, inspired by a post by Gavin Robinson, I shared an image of a broadsheet called The Young-Mans Victory Over the Povver of the Devil that seemed to fit the definition of a comic strip. That one, dating from the 1690s, was the earliest I had found at the time and it remains my favourite of the genre, but I’ve since come across an earlier contender.

I discovered it on a wonderful blog called The 1640s Picturebook where Ian Dicker has posted dozens of images from the period along with detailed analysis of the costumes depicted. In June of last year, they posted an image of The Malignants Trecherous and Bloody Plot (1643), which depicted a plan apparently launched by the MP, Edmund Waller, bring an end to the first of the English Civil Wars. According to the confession of one of the plotters quoted in the ODNB, it began peaceably enough:

‘It came from Mr. Waller under this notion, that if we could make a moderate party here in London, to stand betwixt the gappe, and in the gappe, to unite the King and the Parliament, it would be a very acceptable work, for now the three Kingdomes lay a bleeding, and unlesse that were done there was no hopes to unite them.’

But the peace plan quickly turned to war: in its final form, the plot apparently called for an armed rising and seizure of the key points of the City in order to let the king’s army in.

The plot ended before it had begun when the plotters were betrayed and arrested. Somehow, seemingly through a mixture of powerful rhetoric and shameless bribery, Waller managed to escape the grisly punishment inflicted on some of his co-conspirators and was permitted to go into exile after only a year and a half in prison.

The Malignants Trecherous and Bloody Plot (1643) via The 1640s Picturebook.

The Malignants Trecherous and Bloody Plot (1643) via The 1640s Picturebook.

The upshot of all this was a detailed broadsheet published in August of 1643. It has twelve panels, each of which includes a running narration of the events as they unfolded, from the hatching of the conspiracy to the execution of some of the offenders.

The Malignants (1643) panel with Covenant

‘Come let us joyne our selves to the Lord in an everlasting Covenant which shall not be forgotten’, citing Jeremiah 50:5.

It even included some text in a speech bubble, said to be a key part of a ‘true’ comic strip – though as befits a seventeenth-century comic it is a quotation from scripture rather than a supervillain’s monologue.

So have we pushed the date of the first comic strip back still further? Or is this too much of a stretch?

Workers’ Representation Part Three: Mining and Modernity

Mark Hailwood

So, I thought it was about time to introduce another image of woodcut workers from my trawls through the English Broadside Ballad Archive, and what could be more appropriate than an image from a special new year’s ballad: A New-Years-Gift for Covetous Colliers, published sometime in the 1680s or 1690s. The ballad itself praises Parliament for acting against price-hiking colliers – those involved mainly in the distribution and sale of coal – but includes an image of the primary workers in the coal trade, miners:

miners

The image isn’t particularly remarkable. There is no evidence in this depiction of the hostile stereotype that miners were a ‘race apart’ from other workers; no coal-blackened faces to help symbolise this cultural otherness; no visual indicators that miners were, as Daniel Defoe put it, ‘subterranean wretches…a rude, boorish kind of people’.[1] Continue reading

A seventeenth-century Christmas: mince pies, jollity and witchcraft

Brodie Waddell

Between the large stack of papers to mark and an increasingly nocturnal ten-month-old, the planned post on microhistory has had to be postponed until the new year. However, the season calls for at least one celebratory tribute to the peculiarities of early modern Christmastide. The case of Oliver Cromwell and the mince pies has already been discussed at length elsewhere, so I suppose I’d better share another serendipitous discovery from the archives.

This time of year had long been a season of charity and hospitality. As Ronald Hutton has shown, the Twelve Days of Christmas were an occasion for feasting but also giving. He quotes Thomas Tusser, the sixteenth-century poet-farmer:

At Christmas we banquet, the rich and the poor,
Who then (but the miser) but openeth his door.1

The ‘better sort’, ranging from well-off villagers to the richest nobles, showed their generosity by inviting neighbours to dine with them and by giving alms to the poor. Or at least that is how it was supposed to work.

But a court case from Devon suggests that the season was not always so jolly. Here it seems a failure of seasonal good spirits had dire consequences. Sarah Byrd of Luppitt, testifying in 1693, tells the story: Continue reading

Call for Papers: Sin and Salvation in Reformation England

Jonathan Willis

As the tightly-sprung chaos of another academic term starts to unwind, and thoughts turn to the endless possibilities of a month of peaceful and unbroken research time (oh yes, and Christmas), my gift to you, Monster reader, is a call for papers.  But this isn’t just any call for papers!  Firstly, the vital statistics: Sin and Salvation in Reformation England is a major three-day conference taking place 26-28 June 2013 at the Shakespeare Institute, Stratford-upon-Avon.  I am organising the conference under the auspices of CREMS, the University of Birmingham’s Centre for Reformation and Early Modern Studies, with generous support from the Leverhulme Trust.  Contributions are invited from established scholars and postgraduate students alike, and it is my hope that the conference will give rise to an edited volume of essays. Themes for papers may include (but are not limited to): visual, literary, political, theological, historical, material, musical, polemical or any other treatments of the topics of sin and salvation in the context of reformation-era England. Please send abstracts of 250 words for 20-minute papers to me by 31 March 2013, and visit the CREMS website for more information.

Secondly, keynotes.  Every conference needs at least one keynote, and I’m delighted to say that we have managed to arrange an exceptional lineup of three of the most interesting and engaging scholars in the field.  Dr Arnold Hunt, has written on communion and extensively on preaching, and is currently involved with editing the parochial sermons of John Donne.  Professor Alec Ryrie has written extensively on the English reformation: his long-awaited monograph on Being Protestant in Reformation Britain is due out early next year, and he has already embarked on a new global history of Protestantism.  Professor Alexandra Walsham has written a series of ground-breaking books on the English reformation, on topics ranging from church papistry to providence and intolerance.  Her most recent work is a breathtaking account of the Reformation of the Landscape, and she is currently working on the impact of ageing and generational change on the English Reformation.

Thirdly, the conference blurb: Sin and Salvation were the two central religious preoccupations of men and women in sixteenth century England, and yet the reformation fundamentally reconfigured the theological, intellectual, social and cultural landscape in which these two conceptual landmarks were sited. The abolition of purgatory, the ending of intercessory prayer, the rejection of works of supererogation and the collapse of the medieval economy of salvation meant that it was impossible for attitudes, hopes, fears and expectations about sin and salvation to survive the reformation unchanged. This conference will explore some of the transformations and permutations which the concepts of sin and salvation underwent over the course of the reformation in England, as well as the practical consequences of these changes as lived.

Fourthly, every call for papers needs a picture, so here is mine: part of the frontispiece from Lewis Bayly, The Practise of Pietie (1613).

Bayly[A pious man, kneeling upon a foundation of faith, hope and charity, turns from his study of the scriptures to pray: ‘A broken heart o Lord despise not’!]

Fifthly, finally, and as this is a blog entry rather than a traditional call for papers, I wanted to take a little more time to explain why I want to put this conference on, and what I hope to achieve.  I’m currently enjoying the third year of a Leverhulme Early Career Fellowship, working on ‘The Ten Commandments and the English Reformation’, and it was always my plan to host a conference during the final year of research.  Initially this was going to be a conference on the Ten Commandments, then it became one on the concept of God’s law, then on the use of the Old Testament during the reformation more broadly, then more generally on the bible.  Each successive iteration felt like I was getting closer, but I am not a biblical scholar, and so I kept putting it off and off as it didn’t quite feel right.  Finally it clicked: in a nutshell, the commandments were all about listing the things that you mustn’t do (i.e. sin), and enumerating the sort of deeds performance of which could be taken as a sign that an individual had been predestined to election (i.e. salvation).  One of many roles of the commandments in reformation England, therefore, was to help shape these fundamental concepts of sin and salvation as they slowly came to be understood by the great majority of people, through continual exposure through preaching, catechesis, the liturgy, and visual, musical, and other media.  Hopefully then, ‘Sin and Salvation in Reformation England’ will open up for exploration not only those vital concepts themselves, but also how they came to shape religious belief, practice and identity amongst the laity, and how they themselves were moulded by the experience.  A worthwhile enterprise, I’m sure you’ll agree: so, please take some time out from the sherry and mince pies, send those abstracts through to me now, and keep your eyes peeled for information about registration in the spring!

5 April 1666: ‘Sir William Penn is a total jerk’

Brodie Waddell

I’m planning to put together another post on microhistory in the next week or so, drawing on the responses to the original and my own muddled thoughts. Further comments are very welcome.

In the meantime, I thought a very brief addendum to Laura’s post on ‘dangerous diaries’ might not go amiss. As is so often the case, Bill Watterson’s Calvin and Hobbes provides valuable insights into historiographical controversies. (Even their names are historical!)

Calvin and Hobbes on journalsAs Laura pointed out, and as Calvin reminds us, it’s dangerous to take diaries at face value. Perhaps the quest for posthumous vengence explains why we find so many entries like this one, from April 1666, in Pepys’s diary:

To the office, where the falsenesse and impertinencies of Sir W. Pen would make a man mad to think of.

Beware the diarist with an axe to grind.